The Victoria and Albert Museum, London

On Friday afternoon we made our way to this iconic London Museum. We walked from the station via a long, long subway to one of the entries. The hall that we found ourselves in, featured some wonderful works of the sculptor, Rodin. 

 

We wanted to use the cloakroom and the one nearest the entrance we had come in, was actually closed. So we were directed through the museum shop to the cloakroom near the main entrance. While DH handed in our coats and his knapsack I just 'drooled' (greatly admired) over this beautiful foyer and a magnificent glass sculpture hanging from the ceiling...

More photos of this magnificent building...

Look at that beautiful ceiling...

Looking down towards the other end of the gallery hall...

I was quite taken with the abbreviation ....

Unfortunately my favourite collection that I saw on this visit was difficult to photograph because of low light and reflections on the glass fronts of each display. It was Textiles and Fashion and featured fashion through the last 400 years. 

http://www.vam.ac.uk/page/f/fashion/

The clothes were all magnificent and I adored the clothes that represented the mid 30s through to the 40s; the details on the clothes were wonderful. I also loved the display for the 1960s...especially the Mary Quant designs. 

A feature of V and A is the constant changing of exhibits and I suspect that  the lifts that were barricaded off, preventing us going up to Textiles on the 3rd level , were because they were working on exhibits. 

After a lovely afternoon tea in the Morris Room, DH and I explored outside...which is also beautiful.

I turned around and took this photo of the carvings above the door leading outside to the pond area..

The pond...

This building peeps above the V&A museum...

DH and I went inside to check out the shop and have one more look at a sculpture that had impressed us with its emotions/expressions. It is entitled 'Samson killing the Philistine' by Giambologna who was one of the sculptors who 'worked' for the Medici family.

 

So that's how we spent another couple of hours in London.

Quilts 1700-1945 Exhibition at the Queensland art Gallery...

Last Thursday, 2 friends and I went to see this magnificent exhibition right here in Brisbane.

Most of the quilts are from the famous Victoria and Albert Museum in London. We first of all took a guided tour...this is a good way to get lots of background information about the items on display, but...yes, there is a but! The gallery was quite noisy with the hum of people chattering in the background and it was very difficult to hear the guide...but what we did hear was very informative about certain items...there was no way the guide could discuss every quilt. For example, we were told that when some of the quilts were x-rayed, it was discovered that there was another quilt underneath.
I think it would be difficult to blog about every quilt so I'll just talk about the ones that 'really spoke to me'....

There were amazing whole cloth quilts, pieced quilt tops with designs still popular today and there were some wonderful hexagon quilts too! My favourite quilt would have been the 'Brayley' Hexagon Quilt...its colours were so bright and the hexies so small...about the size of my thumbnail! No photography allowed of course but I found this photo on the V&A Museum website...this quilt was dated 1864-77 and is believed to have been made by Francis Brayley as rehabilitation therapy whilst serving in India...it is made of woollen fabrics used for military uniforms...

V&A collection No. T.58-2007

Another hexie quilt I loved was one made with scrap fabrics and then the background hexagons were made from blackout curtains that were no longer needed when WW2 ended...

Yet another hexie quilt was the one made by young girls, whilst prisoners of the Japanese in Changi after the fall of Singapore. This quilt was made under unimaginably difficult conditions...how poignant to see how the girls embroidered their names on this quilt. While looking online to find a photo of this quilt, I found a V&A video instead. In this footage, Olga Henderson, a former child prisoner tells of her life in the prison and how the quilt project came about...well worth a look! Needless to say I stood in front of this quilt just looking...a number of times on our visit.

One of the quilts wasn't from the Victoria and Albert Museum...it was on loan from the National Gallery of Australia (Canberra) and it is the Rajah quilt which was made by female convicts on board the HMS Rajah. This quilt is huge and for more information go here. It is well worth reading :-)

I bought some postcards of quilts that were on display. There was only a small selection of postcards...

T. 200-1969 Stitching little vignette blocks depicting everyday life were popular...applique and embroidery were used

This cot quilt was the oldest in the exhibition... the late 1600s

The photo below shows 'bed hangings' 1700-30. It looks like the curtains are made from a single piece of fabric...but it is made of clamshell (shaped) pieces of fabric...it is amazing and very beautiful in real life. A bit of trivia that the guide told us was that in those days, guests were often received in the bedroom (bed chamber) and so wealthy people had really smart furnishings to impress guests.

 No. 242-F-1908 This was another exhibit that I kept returning to,to 'drool'  admire! lol

 The 'drunkard's path' quilt below was hung so that we could see sections of the back of it...it had been stitched over papers and these had been left in...most of the precious paper had been household accounts which had been cut up. We were told that paper in those days was very expensive.

This is one of those fabrics especially printed to commemorate a momentous event/person, in this case, the Duke of Wellington . (made by Elisabeth Chapman 1829, in memory of her husband)

For those interested, the V&A website offers lots of information and insight into their magnificent collections including all the work on conservation of incredibly old quilts...

My friends and I stopped for lunch just a bit reluctantly...but it was time to have a sit down for a while! lol

Pamela and Cheryl

Cheryl and I :-)

Cheryl and I had croque monsieur for lunch... (it's a cheese and prosciutto toasted sandwich!) 

 Pamela chose the dainty finger sandwiches...our lunches were delicious!

After lunch we went to another exhibition hall at the gallery to see the exhibition of the late Ruth Stoneley's works, 'A Stitch in Time'. The works of Ruth on display ranged from her earlier, more traditional styles and then examples of how her work evolved to the dynamic style and flair so associated with her. Last Thursday was rather special because at 2.30 there was a public talk scheduled with the speaker being Adam Stoneley, one of Ruth's sons. He spoke about his mother at length, including what it was like living in a house where quilt blocks would be laid over so much of the horizontal surfaces and his memories of helping in his mum's shop after school. And then people in the audience were invited to ask Adam questions about his mother...and many took that opportunity too!

Adam with Bree Richards, Assistant Curator, Contemporary Australian Art

 After Adam's talk we had yet another look at the 1700-1945 quilts and then decided at 4pm, to call it a day. And what a day it had been... a wonderful exhibition...so much social, cultural and (even) economic history encapsulated in one exhibition!